SPOILER ALERT!

I was initially excited about seeing Cloud Atlas, a three hour long movie set across six time periods with interweaving plots created by the same people who made the Matrix.  Sadly, after 30 minutes into the movie I realised I was watching a left-wing propaganda movie with following themes:

1. Only white people can be racist.
2. All white people are criminals, rascals, idiots, cowards, thugs, annoying, sexist and bullies unless: 1) they are homosexual, 2) into race-mixing, 3) they’re devoting their lives to serve another race.
3. Non-whites possess superior athleticism, intelligence, fortitude, wisdom and courage.
4. “Our lives are not our own,” this theme is expressed as a casuality argument, but also as a collectivism argument for self-sacrifice for other people to justify murder, revolution and world war.
5. Past-lives and reincarnation are real, embrace Buddhism and killing people isn’t really that bad anymore.

One of the selling points for the movie is that the six plots are interweaved with each other, however the plots don’t actually meet up in a signficantly meaningful way.  The only link is that the protagonist is meant to be the same person reincarnated each time, however, the protagnists don’t actually have anything in common except a birth mark.  What the movie actually is is six 30-minute short stories retelling the same story over and over: white people suck and you need to sacrifice your individuality to the collective good of people who don’t care about you as an individual.  It’s really quite pathetic that they thought simply jumping from one storyline to another would make the movie clever and interesting.  If they’d just shown the 6 episodes in order I think everyone watching it would be forced to question if the movie was worth spending the money to watch.

Episode 1: Adam Ewing’s Odyssey

Evil white people(/men) count: 5  (Reverend Gilles Horrox, Haskell Moore, Dr. Henry Goose, Ship’s Captain, Ship’s first mate)

Evil non-white count: 0

Redeeming quality of the one ‘good’ white man (Adam Ewing): He helps a stowaway black slave who convinces him via socialist guilt trip by making him hold a knife to his throat and making the absurd claim that if he doesn’t help him to get free he is just as guilty as if he’d killed him himself.  At the end of the episode it is revealed that Ewing’s wife is an asian woman decorated to look ‘white’ but in fact this proves a very important point: racial differences are deeper than skin, eye and hair colour.  She doesn’t look even remotely like a white woman and whenever I see someone do this I think to myself “if blackface is racist for a white because it mocks black people, then surely it is racist to put European features on an Asian as this mocks white people?” Anyway, the ‘good’ white man redeems himself by becoming an abolitionist because he ‘owes’ black people his life, his wife and the well being of his future family.  That’s some sacrifice to pay a debt he never had an obligation to take on in the first place. Are you feeling the white guilt yet?  If not, stay tuned.

Memorable scenes: A woman making it clear at dinner that all (white) men are sexist pigs and throws a hissy fit when they won’t talk about her issues and walks out.  A black man makes a joke about how he doesn’t like “white” meat and we see the white man pee his pants while making a statement that the black man is so physically superior to him that if he wasn’t joking he could kill the fragile white man.  A bunch of drunk, stupid white sailors saying ‘nigga’ all the time while a black man astounds them by proving to be an expert sailor… because apparently black sailors weren’t common back then (yes, the creators need to do some research here and acknowledge that black people back then did many impressive feats like own and sell their own people as slaves on sugar and cotton plantations).  Then we see white sailors planning to kill the ‘nigga’ with no explanation given at all before or afterwards, because that’s what white people just do isn’t it?  The fact that every atrocity committed against non-whites by whites was planned and directed by a central government that tyrannised and enslaved their white populations as much as the non-white populations just seems too much for the writers to contemplate apparently.  No the problem is racial not ingrained government sociopathy.

Episode 2: The Sorrows of Young Robert Frobisher

Evil white people count: 4  (Vyvyan Ayrs, Hotel Manager, Tadeusz Kesselring, the university staff knocking on the door)

Evil non-white count: 0

Redeeming quality of the one ‘good’ white man (Robert Frobisher):  Despite being mentally unstable, irresponsible, hedonistic, a compulsive liar, callous, prone to vandalism, conceited and parasitic he is a good man because he is homosexual.  That’s right fellows, a mountain of character flaws can be all forgotten and your villainous character presented in a positive light so long as you’re gay because that means you have victim cred.  Once again we see the left-wing philosophy of measuring a person’s worth not on the fruits of their labour, but on how down-trodden they are percieved to be on the social heirarchy.

Memorable scenes: Dinner party where it is made clear that because the conductor is German he is automatically a Nazi-who-wants-to-kill-six-million Jews.  Frobisher just casually fucks his employer’s wife without a shred of moral scruple because the poor woman was suffering being married to a geriatric millionaire.  Oh that poor woman, choosing to marry money instead of for love, it was merciful and generous of Frobisher to fuck her.  Good thing his gay lover didn’t get jealous because then he might have done something wrong but since he didn’t get jealous (that we know of) it’s ok, he’s a good person for committing adultery.  Mind you, adultery as a minor offence comes up frequently as a theme in this movie, just saying.  Of course, the young Jewess marrying a much older man for his money and estate actually does nothing for Jewish stereotypes so maybe the creators of this film were trying to tell us something else as well?  The line, “You won’t do it, your kind never do,” when referring to a homosexual could also be interpretted as, “heterosexual men are the only ones capable of murder.”  Finally, a talented composer with a devoted lover, kills himself calling it ‘courage’ even though he is running away from the law and the consequences of his own actions… I don’t care that he was gay, he was still an arsehole, however which way you want to look at it.

Episode 3: Luisa Rey, A Strong Independent Nobody

Evil white people count: 2 (Bill Smoke,  Lloyd Hooks)

Evil non-white count: 0

Redeeming qualities of the two ‘good’ white man (Rufus Sixsmith, Isaac Sachs):  Sixsmith had an asian neice and was gay.  Isaac fell in love with a black woman and was Jewish so not technically ‘white’.

Memorable scenes: The oil companies build a nuclear reactor designed to explode to promote the oil industry… seriously, if I wasn’t so appalled by this point in the movie I would have burst out laughing at how ridiculously obvious this piece of left-wing propaganda was.  An entire plane full of people are killed just to get at one person and this is blamed on the PLO by the oil companies… WTF?  Whatever they were on when they wrote this stuff it must have been good.  Despite sinking so far under water that the pressure burst the windshield of her VW Beetle, Rey’s superior physiology somehow allowed her to swim back up to the surface safely.  Lloyd Hooks made a sexist or dumbass remark every time he opened his mouth to drill home the point that white people suck.  Ironically, instead of succeeding in making Luisa Rey look like a strong independent woman, what comes across is that she’s actually a nobody who is still living in her father’s shadow; because that’s the only thing that is actually going for her the whole time because otherwise she’s pretty damn stupid and dependent on another black man (who was friends with her father as well).  Bill Smoke shooting a dog and making racist remarks is just par for the course at this stage of the movie so of course he is killed by an Asian woman (illegal immigrant) with a meat tenderiser, but we’re given the impression that this murder is completely justifiable because after all, he was just another evil white guy.  I hate violence against animals, especially domesticated animals, but a racist remark and killing a dog does not make murder with a meat tenderiser ok, unless he is white.  Oh, and a black woman speaking Chinese?  Wow!  That so made sense… not.  (I like how some directors think putting random things like this into a movie somehow makes it magically ‘sophisticated’ nowadays, wit is a dead art form clearly).

Episode 4: The Cavendish Affair

Evil white people count: 12  (Dermot Hoggins, Timothy Cavendish, Denholme Cavendish, Nurse Noakes, Nurse James, Georgette, Highlander, the three thugs, the children of the ‘inmates’)

Evil non-white count: 0

Redeeming quality of the one ‘good’ white man (Timothy Cavendish):  Technically Timothy Cavenish is supposed to be the white heterosexual male with a redeeming quality, but I just couldn’t find one unless it was in being utterly pathetic?  He is cowardly, unscrupulous, cheats with his brother’s wife, involved in organised crime gangs, has no self-control generally, is narcissistic, greedy and callous.

Memorable scenes: This was set in the UK so consequently almost every white person had to be evil or in some way loathesome or pathetic, the exception being a few minor characters who aided in the escape, but the episode did end with a drunken pub brawl so maybe not.  The scene with the gangster Dermot Hoggins killing the critic was hilarious, but by this point in the movie I had already figured out exactly what was going to happen and so I found it entirely predictable.  The line “I’m your brother,” (and so therefore you owe me) could have been taken straight out of Atlas Shrugged but clearly it wasn’t because it was used in exactly the opposite way Ayn Rand was getting at.  That said, all six of these episodes are actually plagiarised from other author’s works and the only novelty in the story is how they supposedly interlink.  Creative! /Sarcasm.

Episode 5: Somni-451, The Slave Who Becomes A Slave

Evil white people count: 3  (Seer Rhee, the only two employees of the Fabricant corporation seen in screen)

Evil non-white count: 1? (Not possible to tell because all of the soldiers wore masks making it impossible to tell their ethnicity, presumably to avoid being racist and to make it fine for Hae-Joo Chang to be a cold blooded killing machine).

Redeeming quality of the one ‘good’ white man: No good white people featured in this episode.

Memorable scenes: This whole episode is a copy and paste job of Blade-Runner with a page or two from Soylent Green thrown in randomly.  Clap-clap-clap.  However, it was highly disturbing because the characters don’t have any free will, once they know the ‘truth’ they lose all free-will apparently and must slavishly carry-out a suicidal act of rebellion that precipitates a world war killing almost everyone and destroying almost everything and thus setting the stage for episode 6.  Yes, apparently starting a world war that kills everyone is just something you have to do sometimes when the truth pops into your life, and there’s just no moral abiguity about it.  Furthermore, the revelation is about individualism and self-determination, it’s about a new moral code that prevents other people from acting independently because their lives don’t belong to them and they must now serve this one ‘truth’.  Somni doesn’t seem to appreciate the irony of becoming a freed slave only to become a political slave afterwards, but she’s not actually that bright if you listen to what she says.  Neo Seoul is probably every Korean’s worst nightmare for the future of their people and country, I’m curious to find out how Korean audiences will react to this movie, by walking out of the cinema and demanding a refund I hope.  What really pisses me off is once again, the evil corporation who makes these clones (fabricants not replicants) is foreign (the ship) and the employees of this company are all, you guess it, white!  Including a white woman who kills and guts a Somni clone.  You can’t make this stuff up, white people are the most evil race in history, the Koreans could never have done this to themselves could they?  No, white people had to be behind it all!

As for Somni’s revelation, “Our lives are not our own, from womb to tomb, we’re bound to others, past and present. And by each crime and every kindness, we birth our future,” that’s a very shallow and wishy-washy idea that is used by left-wing dictators all the time.  Mind you, I noticed it was from ‘womb’ and not from ‘conception’, coincidence?  Fuck you, Dave Mitchell, I own my own life, I have personal soverignty and the right to self-determination.

Episode 6: Zachry and the Asian Whore-Goddess

Evil white people count: 8  (half a dozen cannibals (Kona), young Zachry (he apparently lacked courage in rescuing his friend from a dozen heavily armed cannibals?!?!), Old Georgie)

Evil non-white count: 0

Redeeming quality of the one ‘good’ white man ():  He race mixes with a black woman and somehow manages to suppress his bloody white urge to murder defenceless people just for her but not for a white villain.

Memorable scenes:  A tribe of whites asking a black woman about fusion power and looking incredibly stupid, actually this scene was hilarious because it was just so diametrically at odds with reality it was all too obvious what the creators of this film were trying to tell their audience: you white people didn’t earn your technology, wealth, power, intellect and prestige, it just magically landed in your hands and it could just as easily be handed over to non-whites who would patronise and humiliate you with it.  Interestingly, when a white child gets sick the black woman from a high-tech society can’t interfere, but if you want to take the comparison back to the real world the black people should be bending over backwards giving the whites food, clothing, medical supplies, education and weapons just from the kindness of their own hearts, but instead, the blacks here contribute nothing to white civilisation just as they do today.  Ironically, the primitive white tribe in the movie depicted as superstitious morons still actually possessed more technology than sub-saharan Africans ever achieved before whites came to the continent.  That’s right, Africans didn’t have the wheel, metal working, two-story houses and failed to domesticate even a single animal species.  Every single piece of technology Africans have today was invented by non-African (mostly white) people and generously provided to them but white people are still evil and this movie just can’t stop drilling this point in as even Zachry’s hallucination/demon is a white guy dressed up as a British gentleman (he was actually called ‘Old Georgie’!  Subtle!) urging him to commit murder.  When Zachry killed the white cannibal it was almost like a spiritual revelation of him killing the evil white cannibal man inside of him allowing him to ascend to another planet to live in paradise.  To top it all off, the whites are worshipping an Asian prostitute as their goddess, a goddess of collectivism – the very ideology that white people, and only white people, have fought endlessly against throughout their entire history, this was symbolic of the spiritual defeat of the individualists against the oppression of the collectivist who argue that “your life is not your own.”  Of course, if you’re a white person who was educated in a public school you probably don’t know anything useful about your history and heritage to get why this was so insidious.

Final Count

Final count of white villains: 29

Final count of non-white villains: maybe 1? He wasn’t really a villain now was he?  Anyone who kills dozens of people and destroys large sections of a city just for one ‘fabricant girl’ can’t really be that bad can he?

Moral of the story: white people are greedy, vicious, stupid, arrogant, callous and murderous, but only through race-mixing, homosexuality and suppressing their individuality to the non-white collective can they be saved.  While all non-whites are exceptional people.  “There is a natural order to this world, and those who try to upend it do not fare well,”  this natural order is presumably meant to be whites reigning supreme, they were in the first episode when this phrase was uttered, they were extinct as a people by the end of Episode 6 along with all of their achievements and culture, with the survivors living in high-tech African style huts on an alien world.  Wishful thinking for the future?

Fuck that shit, we white people don’t need non-whites.  We never have needed them.  If white people stopped buying stuff from non-whites and stop selling and giving non-whites anything then let’s see just how well non-whites do without us.  I suspect once billions of Africans and Indians begin to starve to death and China descents into a bloody civil war some people might wake up to the fact that the evil some white people do is far outweighed by the good that most white people do in the world and that white folk as a whole do not deserve to be subjected to propaganda movies like this that denigrate them and are pushed onto their children to break their pride and self-respect.  This anti-white racist mentality needs to stop, because once white people are gone the world will not be a place you want to live on anymore.